Style

I believe the spectacle should be created in front of the camera — through props, lighting, makeup, and preparation. Digital post-processing complements, not replaces, this process, refining what light and illusion cannot.
In advertising and artistic photography, I focus on bold colors, rich textures, and strong contrasts — whether in vibrant tones or deep black and white. My darkroom work mirrors this precision, using Tetenal for color and Kodak/Ilford developers for black and white.
Artistic creation is essential to me: I work mainly with large and medium format film, occasionally with cinema emulsions like Kodak XX 5222, developing and enlarging everything in my own lab to preserve full artistic control.
Reflections, light, and shadow define my visual language, often merging images within images. My professional focus lies in advertising photography, especially still life and industrial compositions.